{"id":242,"date":"2022-07-29T19:36:08","date_gmt":"2022-07-29T22:36:08","guid":{"rendered":"https:\/\/faritmica.com\/blog\/?p=242"},"modified":"2022-07-31T16:04:51","modified_gmt":"2022-07-31T19:04:51","slug":"modos-gregos-no-baixo","status":"publish","type":"post","link":"https:\/\/faritmica.com\/blog\/modos-gregos-no-baixo\/","title":{"rendered":"Modos Gregos no Baixo"},"content":{"rendered":"\n<p>Aqui vamos te mostrar como funcionam os shapes dos <strong>Modos Gregos no Baixo<\/strong> e para que eles servem. Modos Gregos s\u00e3o Modos Gregos em qualquer instrumento. O que confunde a gente \u00e9 que somos acostumados a decorar shapes em instrumentos de corda.<\/p>\n\n\n\n<p>Como j\u00e1 abordamos o tema no post &#8220;<a href=\"https:\/\/faritmica.com\/blog\/o-segredo-por-tras-dos-modos-gregos\/\" target=\"_blank\" rel=\"noopener\">O segredo por tr\u00e1s dos Modos Gregos<\/a>&#8220;, hoje vamos direto ao ponto:<\/p>\n\n\n\n<p>Lembrando que, quando desenhamos o <strong>bra\u00e7o do contrabaixo<\/strong>, ele deve ser lido de ponta cabe\u00e7a e da esquerda para a direita:<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"141\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/como-ler-o-braco-do-contrabaixo-na-tablatura.jpg\" alt=\"Modos Gregos no Baixo\" class=\"wp-image-297\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/como-ler-o-braco-do-contrabaixo-na-tablatura.jpg 936w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/como-ler-o-braco-do-contrabaixo-na-tablatura-300x45.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/como-ler-o-braco-do-contrabaixo-na-tablatura-768x116.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/como-ler-o-braco-do-contrabaixo-na-tablatura-150x23.jpg 150w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption>Como ler o bra\u00e7o do contrabaixo<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Campo Harm\u00f4nico<\/h2>\n\n\n\n<p>\u00c9, praticamente, imposs\u00edvel falar sobre modos gregos sem falar sobre campo harm\u00f4nico. Cada modo tem sua fun\u00e7\u00e3o no campo harm\u00f4nico, assim como cada acorde.<\/p>\n\n\n\n<p>O campo harm\u00f4nico \u00e9 dividido em graus, e para <strong>cada grau<\/strong> do campo harm\u00f4nico, temos um <strong>modo grego<\/strong>. Existem 7 acordes dentro de um campo harm\u00f4nico, e cada um dos modos representa um acorde.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Primeiro Grau: <strong>Modo J\u00f4nio<\/strong> (Acorde maior com <em>S\u00e9tima maior<\/em>)<\/li><li>Segundo Grau: <strong>Modo D\u00f3rico<\/strong> (Acorde menor com <em>S\u00e9tima<\/em>)<\/li><li>Terceiro Grau: <strong>Modo Fr\u00edgio<\/strong> (Acorde menor com <em>S\u00e9tima<\/em>)<\/li><li>Quarto Grau: <strong>Modo L\u00eddio<\/strong> (Acorde maior com <em>S\u00e9tima maior<\/em>)<\/li><li>Quinto Grau: <strong>Modo Mixol\u00eddio<\/strong> (Acorde Maior com <em>S\u00e9tima<\/em>)<\/li><li>Sexto Grau: <strong>Modo E\u00f3lio<\/strong> (Acorde menor com <em>S\u00e9tima<\/em>)<\/li><li>S\u00e9timo Grau: <strong>Modo L\u00f3crio<\/strong> (Acorde menor com <em>S\u00e9tima<\/em> e <em>quinta bemol<\/em>)<\/li><\/ul>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Grau (acorde)<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/piano-fmaj7.mp3\"><\/audio><figcaption>Primeiro Grau &#8211; Fmaj7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/piano-gm7.mp3\"><\/audio><figcaption>Segundo Grau &#8211; Gm7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/piano-am7.mp3\"><\/audio><figcaption>Terceiro Grau &#8211; Am7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/piano-bbm7.mp3\"><\/audio><figcaption>Quarto Grau &#8211; Bbmaj7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/piano-c7.mp3\"><\/audio><figcaption>Quinto Grau &#8211; C7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/piano-dm7.mp3\"><\/audio><figcaption>Sexto Grau &#8211; Dm7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/piano-em7b5.mp3\"><\/audio><figcaption>S\u00e9timo Grau &#8211; Em7(b5)<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Modo (escala)<\/h2>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/baixo-modo-1-jonio.mp3\"><\/audio><figcaption>Modo J\u00f4nio &#8211; Fmaj7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/baixo-modo-2-dorico.mp3\"><\/audio><figcaption>Modo D\u00f3rico &#8211; Gm7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/baixo-modo-3-frigio.mp3\"><\/audio><figcaption>Modo Fr\u00edgio &#8211; Am7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/baixo-modo-4-lidio.mp3\"><\/audio><figcaption>Modo L\u00eddio &#8211; Bbmaj7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/baixo-modo-5-mixolidio.mp3\"><\/audio><figcaption>Modo Mixol\u00eddio &#8211; C7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/baixo-modo-6-eolio.mp3\"><\/audio><figcaption>Modo E\u00f3lio &#8211; Dm7<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/baixo-modo-7-locrio.mp3\"><\/audio><figcaption>Modo L\u00f3crio &#8211; Em7(b5)<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Acordes maiores<\/h2>\n\n\n\n<p>Dentro do campo harm\u00f4nico temos 3 acordes maiores que s\u00e3o diferentes um do outro apesar de soarem iguais como tr\u00edade.<\/p>\n\n\n\n<p>Exemplo:<\/p>\n\n\n\n<p>Repare como, por mais que o desenho mude, as t\u00f4nicas, ter\u00e7as e quintas est\u00e3o sempre no mesmo lugar:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" class=\"wp-image-281\" style=\"width: 16px;\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/guia-tonica.png\" alt=\"T\u00f4nica Campo Harm\u00f4nico\"> T\u00f4nica<\/p><p><img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" class=\"wp-image-282\" style=\"width: 16px;\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/guia-terca.png\" alt=\"Guia Ter\u00e7a\"> Ter\u00e7a<\/p><p><img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" class=\"wp-image-283\" style=\"width: 16px;\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/guia-quinta.png\" alt=\"Guia Quinta\"> Quinta<\/p><p><img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" class=\"wp-image-284\" style=\"width: 16px;\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/guia-notas.png\" alt=\"Guia Outras\"> Outras notas do campo<\/p><\/blockquote>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"146\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-triade.jpg\" alt=\"Tr\u00edade Maior Modo J\u00f4nio\" class=\"wp-image-276\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-triade.jpg 639w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-triade-300x69.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-triade-150x34.jpg 150w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption>Modo J\u00f4nio<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"146\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio.jpg\" alt=\"Tr\u00edade Maior Modo L\u00eddio\" class=\"wp-image-277\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio.jpg 639w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-300x69.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-150x34.jpg 150w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption>Modo L\u00eddio<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"146\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolodio.jpg\" alt=\"Tr\u00edade Maior Modo Mixol\u00eddio\" class=\"wp-image-278\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolodio.jpg 639w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolodio-300x69.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolodio-150x34.jpg 150w\" sizes=\"auto, (max-width: 639px) 100vw, 639px\" \/><figcaption>Modo Mixol\u00eddio<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-video\" style=\"text-align:center;\">\n<video autoplay=\"\" playsinline=\"\" muted=\"\" loop=\"\" style=\"text-align:center; max-width:639px; max-height:200px;\">\n<source src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modos-gregos-maiores.mp4\" type=\"video\/mp4\">\n<\/video>\n<figcaption>Modos Maiores<\/figcaption>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Visualizando no bra\u00e7o<\/h2>\n\n\n\n<p>Abaixo, temos, de forma simplificada, onde est\u00e3o localizados os <strong>modos maiores<\/strong> no bra\u00e7o do contrabaixo dentro do campo harm\u00f4nico de F\u00e1.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"69\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-campo-harmonico.jpg\" alt=\"Modo J\u00f4nio - Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-294\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-campo-harmonico.jpg 936w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-campo-harmonico-300x22.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-campo-harmonico-768x57.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-campo-harmonico-150x11.jpg 150w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption>Modo J\u00f4nio no Campo Harm\u00f4nico de F\u00e1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"69\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-campo-harmonico.jpg\" alt=\"Modo L\u00eddio - Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-295\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-campo-harmonico.jpg 936w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-campo-harmonico-300x22.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-campo-harmonico-768x57.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-campo-harmonico-150x11.jpg 150w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption>Modo L\u00eddio no Campo Harm\u00f4nico de F\u00e1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"69\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolido-campo-harmonico.jpg\" alt=\"Modo Mixol\u00eddio - Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-296\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolido-campo-harmonico.jpg 936w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolido-campo-harmonico-300x22.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolido-campo-harmonico-768x57.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolido-campo-harmonico-150x11.jpg 150w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption>Modo Mixol\u00eddio no Campo Harm\u00f4nico de F\u00e1<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">O pulo do gato<\/h2>\n\n\n\n<p>Repare que, no final do modo L\u00f3crio j\u00e1 estamos fazendo o come\u00e7o do shape do modo J\u00f4nio.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"84\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/o-segredo-dos-modos-gregos-no-contrabaixo.jpg\" alt=\"O segredo dos modos gregos no Baixo\" class=\"wp-image-299\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/o-segredo-dos-modos-gregos-no-contrabaixo.jpg 936w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/o-segredo-dos-modos-gregos-no-contrabaixo-300x27.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/o-segredo-dos-modos-gregos-no-contrabaixo-768x69.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/o-segredo-dos-modos-gregos-no-contrabaixo-150x13.jpg 150w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption>Identificando as repeti\u00e7\u00f5es dos modos gregos<\/figcaption><\/figure>\n\n\n\n<p>E essa repeti\u00e7\u00e3o, n\u00f3s temos em todos os desenhos. O final de um modo, sempre ser\u00e1 o come\u00e7o de outro modo, assim como o meio, e todas as outras notas. <strong>Um desenho liga no outro<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Modos gregos no Baixo (campo harm\u00f4nico de F\u00e1)<\/h2>\n\n\n\n<p>Abaixo temos, todos os Shapes dos modos gregos dentro do campo harm\u00f4nico de F\u00e1 da forma que eles devem ser visualizados, cada um representando um acorde com uma sonoridade espec\u00edfica.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">J\u00f4nio &#8211; Fmaj7<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"963\" height=\"106\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-no-baixo.jpg\" alt=\"\" class=\"wp-image-302\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-no-baixo.jpg 963w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-no-baixo-300x33.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-no-baixo-768x85.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-jonio-no-baixo-150x17.jpg 150w\" sizes=\"auto, (max-width: 963px) 100vw, 963px\" \/><figcaption>Shape modo J\u00f4nio<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/1-modos-gregos-modo-jonio-no-baixo.mp3\"><\/audio><figcaption>Sonoridade do modo J\u00f4nio<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">D\u00f3rico &#8211; Gm7<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"963\" height=\"106\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-dorico-no-baixo.jpg\" alt=\"Modo D\u00f3rico no Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-303\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-dorico-no-baixo.jpg 963w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-dorico-no-baixo-300x33.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-dorico-no-baixo-768x85.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-dorico-no-baixo-150x17.jpg 150w\" sizes=\"auto, (max-width: 963px) 100vw, 963px\" \/><figcaption>Modo D\u00f3rico<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/2-modos-gregos-modo-dorico-no-baixo.mp3\"><\/audio><figcaption>Sonoridade do modo D\u00f3rico<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Fr\u00edgio &#8211; Am7<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"963\" height=\"106\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-frigio-no-baixo.jpg\" alt=\"Modo Fr\u00edgio no Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-304\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-frigio-no-baixo.jpg 963w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-frigio-no-baixo-300x33.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-frigio-no-baixo-768x85.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-frigio-no-baixo-150x17.jpg 150w\" sizes=\"auto, (max-width: 963px) 100vw, 963px\" \/><figcaption>Modo Fr\u00edgio<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/3-modos-gregos-modo-frigio-no-baixo.mp3\"><\/audio><figcaption>Sonoridade do modo Fr\u00edgio<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">L\u00eddio &#8211; Bbmaj7<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"963\" height=\"106\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-no-baixo.jpg\" alt=\"Modo L\u00eddio no Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-305\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-no-baixo.jpg 963w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-no-baixo-300x33.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-no-baixo-768x85.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-lidio-no-baixo-150x17.jpg 150w\" sizes=\"auto, (max-width: 963px) 100vw, 963px\" \/><figcaption>Modo L\u00eddio<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/4-modos-gregos-modo-lidio-no-baixo.mp3\"><\/audio><figcaption>Sonoridade do modo L\u00eddio<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Mixol\u00eddio &#8211; C7<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"963\" height=\"106\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolidio-no-baixo.jpg\" alt=\"Modo Mixol\u00eddio no Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-306\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolidio-no-baixo.jpg 963w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolidio-no-baixo-300x33.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolidio-no-baixo-768x85.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-mixolidio-no-baixo-150x17.jpg 150w\" sizes=\"auto, (max-width: 963px) 100vw, 963px\" \/><figcaption>Modo Mixol\u00eddio<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/5-modos-gregos-modo-mixolidio-no-baixo.mp3\"><\/audio><figcaption>Sonoridade do modo Mixol\u00eddio<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">E\u00f3lio &#8211; Dm7<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"963\" height=\"106\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-eolio-no-baixo.jpg\" alt=\"Modo E\u00f3lio no Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-307\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-eolio-no-baixo.jpg 963w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-eolio-no-baixo-300x33.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-eolio-no-baixo-768x85.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-eolio-no-baixo-150x17.jpg 150w\" sizes=\"auto, (max-width: 963px) 100vw, 963px\" \/><figcaption>Modo E\u00f3lio<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/6-modos-gregos-modo-eolio-no-baixo.mp3\"><\/audio><figcaption>Sonoridade do modo E\u00f3lio<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">L\u00f3crio &#8211; Em7(b5)<\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"963\" height=\"106\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-locrio-no-baixo-1.jpg\" alt=\"Modo L\u00f3crio no Campo Harm\u00f4nico de F\u00e1\" class=\"wp-image-349\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-locrio-no-baixo-1.jpg 963w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-locrio-no-baixo-1-300x33.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-locrio-no-baixo-1-768x85.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modo-locrio-no-baixo-1-150x17.jpg 150w\" sizes=\"auto, (max-width: 963px) 100vw, 963px\" \/><figcaption>Modo L\u00f3crio<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/7-modos-gregos-modo-locrio-no-baixo.mp3\"><\/audio><figcaption>Sonoridade do modo L\u00f3crio<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">O outro pulo do gato<\/h2>\n\n\n\n<p>Al\u00e9m da repeti\u00e7\u00e3o horizontal, existe uma regrinha vertical que tamb\u00e9m se repete.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Note que, o padr\u00e3o de repeti\u00e7\u00e3o \u00e9 o mesmo. Temos, em sequ\u00eancia, os 3 modos maiores um em baixo do outro: Mixol\u00eddio, J\u00f4nio e L\u00eddio. Logo depois, o modo L\u00f3crio e Fr\u00edgio, que come\u00e7am exatamente iguais. E, para completar o looping, o modo E\u00f3lio e D\u00f3rico.<\/p>\n\n\n\n<p>A partir do momento que voc\u00ea para de pensar nos modos como itens separados, voc\u00ea come\u00e7a a enxergar tudo como pe\u00e7as dependentes umas das outras, e a\u00ed tudo fica mais claro.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"435\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modos-gregos-sequencia-ordem.jpg\" alt=\"O segredo dos modos gregos no baixo\" class=\"wp-image-313\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modos-gregos-sequencia-ordem.jpg 410w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modos-gregos-sequencia-ordem-283x300.jpg 283w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/modos-gregos-sequencia-ordem-150x159.jpg 150w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><figcaption>Regra da repeti\u00e7\u00e3o<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Entendendo que os modos se repetem tanto na horizontal, quanto na vertical, come\u00e7amos a enxergar cada vez mais padr\u00f5es. Vou usar como exemplo o <strong>Mixol\u00eddio<\/strong>:<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"138\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/pulo-do-gato-modos-gregos-segredo.jpg\" alt=\"O segredo dos modos gregos no baixo\" class=\"wp-image-342\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/pulo-do-gato-modos-gregos-segredo.jpg 936w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/pulo-do-gato-modos-gregos-segredo-300x44.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/pulo-do-gato-modos-gregos-segredo-768x113.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/pulo-do-gato-modos-gregos-segredo-150x22.jpg 150w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption>Identificando o in\u00edcio do Mixol\u00eddio no campo harm\u00f4nico de F\u00e1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"936\" height=\"112\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/achando-o-mixolidio.jpg\" alt=\"Modos gregos no bra\u00e7o do contrabaixo\" class=\"wp-image-344\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/achando-o-mixolidio.jpg 936w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/achando-o-mixolidio-300x36.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/achando-o-mixolidio-768x92.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/achando-o-mixolidio-150x18.jpg 150w\" sizes=\"auto, (max-width: 936px) 100vw, 936px\" \/><figcaption>Encontrando mais repeti\u00e7\u00f5es ainda<\/figcaption><\/figure>\n\n\n\n<p>E assim como encontramos o Shape do Mixol\u00eddio em v\u00e1rias regi\u00f5es dentro do Campo Harm\u00f4nico de F\u00e1, voc\u00ea pode encontrar outros Shapes como exerc\u00edcio de mapeamento do bra\u00e7o.<\/p>\n\n\n\n<p>E caso voc\u00ea queira praticar, use o nosso Backing Track para memoriza\u00e7\u00e3o dos Shapes dos Modos Gregos:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Decorar Modos Gregos - F (Contrabaixo)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/AXGWQZnO1jA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Exerc\u00edcio no campo harm\u00f4nico de F\u00e1 para decorar os Modos Gregos<\/figcaption><\/figure>\n\n\n\n<p> <\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p>Se o post te ajudou, n\u00e3o esque\u00e7a de seguir a <strong><a href=\"https:\/\/www.instagram.com\/faritmica\/\" target=\"_blank\" rel=\"noopener\">@faritmica<\/a><\/strong> no insta ou na sua rede social favorita.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aqui vamos te mostrar como funcionam os shapes dos Modos Gregos no Baixo e para que eles servem. Modos Gregos s\u00e3o Modos Gregos em qualquer instrumento. O que confunde a gente \u00e9 que somos acostumados a decorar shapes em instrumentos de corda. Como j\u00e1 abordamos o tema no post &#8220;O segredo por tr\u00e1s dos Modos&hellip;<\/p>\n","protected":false},"author":2,"featured_media":346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[36,20],"tags":[35,16,17],"class_list":["post-242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contrabaixo","category-modos-gregos","tag-contrabaixo","tag-modos-gregos","tag-teoria"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2022\/07\/social-bass.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts\/242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/comments?post=242"}],"version-history":[{"count":27,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts\/242\/revisions"}],"predecessor-version":[{"id":364,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts\/242\/revisions\/364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/media\/346"}],"wp:attachment":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/media?parent=242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/categories?post=242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/tags?post=242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}