{"id":521,"date":"2024-04-02T00:14:19","date_gmt":"2024-04-02T03:14:19","guid":{"rendered":"https:\/\/faritmica.com\/blog\/?p=521"},"modified":"2024-04-02T15:21:43","modified_gmt":"2024-04-02T18:21:43","slug":"campo-harmonico-tudo-o-que-voce-precisa-saber","status":"publish","type":"post","link":"https:\/\/faritmica.com\/blog\/campo-harmonico-tudo-o-que-voce-precisa-saber\/","title":{"rendered":"Campo Harm\u00f4nico: Tudo o que voc\u00ea precisa saber"},"content":{"rendered":"\n<p><strong>Campo Harm\u00f4nico<\/strong> \u00e9 um assunto que nunca tem fim. Quanto mais voc\u00ea sabe, menos voc\u00ea acha que entende. Por isso vamos tentar resumir esse assunto para quem \u00e9 leigo.<\/p>\n\n\n\n<p>Antes de entender como funciona o <strong>Campo Harm\u00f4nico<\/strong>, \u00e9 extremamente importante entender como funciona a contagem de intervalos na m\u00fasica. Por isso, se voc\u00ea ainda tem alguma d\u00favida sobre a dist\u00e2ncia entre uma nota e outra, recomendo que voc\u00ea leia o post: <strong><a href=\"https:\/\/faritmica.com\/blog\/o-que-e-intervalo-na-musica\/\" target=\"_blank\" rel=\"noopener\" title=\"\">O que \u00e9 intervalo na m\u00fasica?<\/a><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"535\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/campo-harmonico-1024x535.jpg\" alt=\"Campo Harm\u00f4nico: Tudo o que voc\u00ea precisa saber\" class=\"wp-image-538\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/campo-harmonico-1024x535.jpg 1024w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/campo-harmonico-300x157.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/campo-harmonico-768x401.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/campo-harmonico-150x78.jpg 150w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/campo-harmonico.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">O que \u00e9 Campo Harm\u00f4nico?<\/h2>\n\n\n\n<p>O <strong>Campo Harm\u00f4nico<\/strong> \u00e9 um conjunto de acordes que definem a sonoridade da m\u00fasica. Cada acorde tem um <strong>Campo Harm\u00f4nico<\/strong>. Por enquanto, vamos abordar apenas o <strong>Campo Harm\u00f4nico Maior.<\/strong><\/p>\n\n\n\n<p>O conjunto consiste em <strong>7 acordes<\/strong> onde, 3 deles s\u00e3o maiores, 3 menores e 1 diminuto.<\/p>\n\n\n\n<p>Esses <strong>7 acordes<\/strong> s\u00e3o chamados de <strong>graus<\/strong>. Para representar os <strong>graus<\/strong>, utilizamos algarismos romanos:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>I<\/strong>: Primeiro Grau<\/li>\n\n\n\n<li><strong>II<\/strong>: Segundo Grau<\/li>\n\n\n\n<li><strong>III<\/strong>: Terceiro Grau<\/li>\n\n\n\n<li><strong>IV<\/strong>: Quarto Grau<\/li>\n\n\n\n<li><strong>V<\/strong>: Quinto Grau<\/li>\n\n\n\n<li><strong>VI<\/strong>: Sexto Grau<\/li>\n\n\n\n<li><strong>VII<\/strong>: S\u00e9timo Grau<\/li>\n<\/ul>\n\n\n\n<p>Sendo que esses graus ser\u00e3o:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>I<\/strong>: Acorde Maior<\/li>\n\n\n\n<li><strong>II<\/strong>: Acorde Menor<\/li>\n\n\n\n<li><strong>III<\/strong>: Acorde Menor<\/li>\n\n\n\n<li><strong>IV<\/strong>: Acorde Maior<\/li>\n\n\n\n<li><strong>V<\/strong>: Acorde Maior<\/li>\n\n\n\n<li><strong>VI<\/strong>: Acorde Menor<\/li>\n\n\n\n<li><strong>VII<\/strong>: Acorde Meio Diminuto<\/li>\n<\/ul>\n\n\n\n<p>Ou seja, se no <strong>Campo Harm\u00f4nico<\/strong> de D\u00f3 temos D\u00f3, R\u00e9, Mi, F\u00e1 Sol, L\u00e1 e Si, a forma\u00e7\u00e3o dos acordes no Campo ser\u00e3o:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>I<\/strong>: D\u00f3 Maior<\/li>\n\n\n\n<li><strong>II<\/strong>: R\u00e9 Menor<\/li>\n\n\n\n<li><strong>III<\/strong>: Mi Menor<\/li>\n\n\n\n<li><strong>IV<\/strong>: F\u00e1 Maior<\/li>\n\n\n\n<li><strong>V<\/strong>: Sol Maior<\/li>\n\n\n\n<li><strong>VI<\/strong>: L\u00e1 Menor<\/li>\n\n\n\n<li><strong>VII<\/strong>: Si Meio Diminuto<\/li>\n<\/ul>\n\n\n\n<p>Para identificar o <strong>Campo Harm\u00f4nico<\/strong>, seguimos um padr\u00e3o de contagem de intervalos onde formamos a escala do <strong>Campo Harm\u00f4nico<\/strong>.<\/p>\n\n\n\n<p>Para identificar o <strong>Campo Harm\u00f4nico Maior<\/strong> de <strong>F\u00e1<\/strong>, usamos uma contagem de intervalo que chamamos de <strong>F\u00d3RMULA<\/strong>.<\/p>\n\n\n\n<p>A <strong>F\u00f3rmula de Campo Harm\u00f4nico<\/strong>, nada mais \u00e9 do que uma regra que seguimos para contar os intervalos, e sim, a regra voc\u00ea precisa decorar: <strong>TOM &#8211; TOM &#8211; SEMITOM &#8211; TOM &#8211; TOM &#8211; TOM &#8211; SEMITOM<\/strong>. (Lembrando que, para avan\u00e7ar o intervalo de <strong>um tom<\/strong> pulamos uma nota, para avan\u00e7ar <strong>meio tom<\/strong> vamos para a nota mais pr\u00f3xima).<\/p>\n\n\n\n<p>Ao aplicar a f\u00f3rmula, temos a <strong>escala<\/strong> do <strong>campo harm\u00f4nico<\/strong>:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"506\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/si-maior.jpg\" alt=\"Contagem de intervalos no campo harm\u00f4nico de Si\" class=\"wp-image-532\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/si-maior.jpg 960w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/si-maior-300x158.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/si-maior-768x405.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/si-maior-150x79.jpg 150w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">Si &#8211; D\u00f3 Sustenido &#8211; R\u00e9 Sustenido &#8211; Mi &#8211; F\u00e1 Sustenido &#8211; Sol Sustenido &#8211; L\u00e1 Sustenido &#8211; Si<\/figcaption><\/figure>\n<\/div>\n\n\n<p>O mesmo exemplo com outro <strong>Campo Harm\u00f4nico<\/strong>:<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"506\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/fa-maior.jpg\" alt=\"Contagem de intervalos no campo harm\u00f4nico de F\u00e1\" class=\"wp-image-531\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/fa-maior.jpg 960w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/fa-maior-300x158.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/fa-maior-768x405.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/fa-maior-150x79.jpg 150w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\">F\u00e1 &#8211; Sol &#8211; L\u00e1 &#8211; Si Bemol &#8211; D\u00f3 &#8211; R\u00e9 &#8211; Mi &#8211; F\u00e1<\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">T\u00e1, mas como eu sei quais s\u00e3o os acordes do Campo Harm\u00f4nico?<\/h2>\n\n\n\n<p>Os acordes s\u00e3o formados quando tocamos <strong>tr\u00eas ou mais notas<\/strong> da escala respeitando os espa\u00e7os entre uma nota e outra. Quando tocamos tr\u00eas notas, chamamos de <strong>tr\u00edade<\/strong>. E para identificar as 7 <strong>tr\u00edades<\/strong> do <strong>campo harm\u00f4nico<\/strong>, basta formar os acordes pulando as notas da escala na ordem:<\/p>\n\n\n\n<p>Identificando as <strong>Tr\u00edades<\/strong> no <strong>Campo Harm\u00f4nico<\/strong> de F\u00e1:<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"506\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/1-grau-fa-maior.jpg\" alt=\"\" class=\"wp-image-533\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/1-grau-fa-maior.jpg 960w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/1-grau-fa-maior-300x158.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/1-grau-fa-maior-768x405.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/1-grau-fa-maior-150x79.jpg 150w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\"><strong>Primeiro Grau<\/strong><br>F\u00e1 Maior<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"506\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/2-grau-sol-menor.jpg\" alt=\"\" class=\"wp-image-534\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/2-grau-sol-menor.jpg 960w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/2-grau-sol-menor-300x158.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/2-grau-sol-menor-768x405.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/2-grau-sol-menor-150x79.jpg 150w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\"><strong>Segundo Grau<\/strong><br>Sol Menor<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"506\" src=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/3-grau-la-menor.jpg\" alt=\"\" class=\"wp-image-535\" srcset=\"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/3-grau-la-menor.jpg 960w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/3-grau-la-menor-300x158.jpg 300w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/3-grau-la-menor-768x405.jpg 768w, https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/3-grau-la-menor-150x79.jpg 150w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><figcaption class=\"wp-element-caption\"><strong>Terceiro Grau<\/strong><br>L\u00e1 Menor<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Campo Harm\u00f4nico em Cifras<\/h2>\n\n\n\n<p>Os T\u00f3picos seguintes abordar\u00e3o os acordes em cifras. \u00c9 extremamente importante que voc\u00ea saiba ler as cifras para compreender melhor o funcionamento do <strong>campo harm\u00f4nico<\/strong>.<\/p>\n\n\n\n<p>Para quem possui alguma dificuldade de <strong>ler cifras<\/strong>, um guia r\u00e1pido:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>A<\/strong>: L\u00e1<\/li>\n\n\n\n<li><strong>B<\/strong>: Si<\/li>\n\n\n\n<li><strong>C<\/strong>: D\u00f3<\/li>\n\n\n\n<li><strong>D<\/strong>: R\u00e9<\/li>\n\n\n\n<li><strong>E<\/strong>: Mi<\/li>\n\n\n\n<li><strong>F<\/strong>: F\u00e1<\/li>\n\n\n\n<li><strong>G<\/strong>: Sol<\/li>\n<\/ul>\n\n\n\n<p>Cifras usando o acorde de Mi (E) como exemplo:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>E<\/strong>: Mi Maior<\/li>\n\n\n\n<li><strong>Em<\/strong>: Mi Menor<\/li>\n\n\n\n<li><strong>E7<\/strong>: Mi com S\u00e9tima<\/li>\n\n\n\n<li><strong>E7M<\/strong>: Mi com S\u00e9tima Maior (Padr\u00e3o Correto)<\/li>\n\n\n\n<li><strong>E7+<\/strong>: Mi com S\u00e9tima Maior (Padr\u00e3o Comum)<\/li>\n\n\n\n<li><strong>Emaj7<\/strong>: Mi com S\u00e9tima Maior (Padr\u00e3o Americano)<\/li>\n\n\n\n<li><strong>Edim7<\/strong>: Mi com S\u00e9tima Diminuta<\/li>\n\n\n\n<li><strong>Em7<\/strong>: Mi Menor com S\u00e9tima<\/li>\n\n\n\n<li><strong>E\u00b0<\/strong>: Mi Diminuto<\/li>\n\n\n\n<li><strong>E\u00d8:<\/strong> Mi Meio Diminuto<\/li>\n\n\n\n<li><strong>Em7(b5)<\/strong>: Mi Menor com S\u00e9tima e Quinta Bemol (Exatamente a mesma coisa que Meio Diminuto)<\/li>\n<\/ul>\n\n\n\n<p>Cuidado para n\u00e3o confundir o &#8220;b&#8221; de Bemol com &#8220;b5&#8221; de Quinta Bemol:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Eb<\/strong>: Mi Bemol Maior<\/li>\n\n\n\n<li><strong>Ebm<\/strong>: Mi Bemol Menor<\/li>\n\n\n\n<li><strong>Eb7<\/strong>: Mi Bemol com S\u00e9tima<\/li>\n\n\n\n<li><strong>Ebm7<\/strong>: Mi Bemol Menor com S\u00e9tima<\/li>\n\n\n\n<li><strong>Eb\u00b0<\/strong>: Mi Bemol Diminuto<\/li>\n\n\n\n<li><strong>Eb\u00d8<\/strong>: Mi Bemol Meio Diminuto<\/li>\n\n\n\n<li><strong>Ebm7(b5)<\/strong>: Mi Bemol Meio Diminuto<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Existe Mi Sustenido?<\/h2>\n\n\n\n<p>Na teoria, sim. Na pr\u00e1tica, n\u00e3o.<\/p>\n\n\n\n<p>Esse assunto \u00e9 bem pol\u00eamico e vive dividindo opini\u00f5es entre m\u00fasicos. Teoricamente, no <strong>Campo Harm\u00f4nico<\/strong> de alguns acordes, seriamos obrigados a chamar o <strong>F\u00e1<\/strong> de <strong>Mi Sustenido<\/strong>, por exemplo:<\/p>\n\n\n\n<p><strong>Campo Harm\u00f4nico<\/strong> de <strong>F\u00e1 Sutenido<\/strong>: F# &#8211; G#m &#8211; A#m &#8211; B &#8211; C# &#8211; D#m &#8211; <strong>E#<\/strong>m7(b5)<\/p>\n\n\n\n<p>Mas por que tem que chamar de <strong>Mi<\/strong> e n\u00e3o de <strong>F\u00e1<\/strong>, sendo que a nota \u00e9 <strong>F\u00e1<\/strong>?<\/p>\n\n\n\n<p>Porque, basicamente, n\u00e3o existem <strong>duas notas<\/strong> com o <strong>mesmo nome<\/strong> dentro do mesmo <strong>campo harm\u00f4nico<\/strong>. Ent\u00e3o, como existe um F\u00e1 Sustenido na escala, o F\u00e1 &#8220;deixa de ser&#8221; F\u00e1. Claro que, tudo isso na teoria. F\u00e1 \u00e9 F\u00e1 e isso n\u00e3o se discute!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Existe Si Sustenido?<\/h2>\n\n\n\n<p>Mesma coisa do t\u00f3pico anterior. Na teoria, sim.<\/p>\n\n\n\n<p>Campo Harm\u00f4nico de <strong>D\u00f3 Sustenido<\/strong>: C# &#8211; D#m &#8211; <strong>E#<\/strong>m &#8211; F# &#8211; G# &#8211; A#m &#8211; <strong>B#<\/strong>m7(b5)<\/p>\n\n\n\n<p>Outro exemplo que n\u00e3o tem nada a ver, mas que resume essa regra de n\u00e3o poder repetir os nomes das notas:<\/p>\n\n\n\n<p><strong>L\u00e1 Sustenido<\/strong> e <strong>Si Bemol<\/strong> s\u00e3o as mesmas notas, certo? Por\u00e9m, no <strong>Campo Harm\u00f4nico de F\u00e1<\/strong>, n\u00e3o podemos chamar de L\u00e1 Sustenido porque j\u00e1 temos um L\u00e1. N\u00e3o existem &#8220;dois L\u00e1&#8217;s&#8221; no mesmo <strong>Campo Harm\u00f4nico<\/strong>.<\/p>\n\n\n\n<p>A sequ\u00eancia sempre vai ser o &#8220;D\u00f3, R\u00e9, Mi, F\u00e1, Sol, L\u00e1, Si&#8221; a partir da nota principal do <strong>Campo Harm\u00f4nico<\/strong>. Ou seja, o Campo de F\u00e1 \u00e9: F\u00e1, Sol, L\u00e1, Si, D\u00f3 Re, Mi. A\u00ed cabe a voc\u00ea contar, no seu instrumento, quais notas ser\u00e3o <em>sustenidas<\/em> e quais ser\u00e3o <em>bem\u00f3is<\/em>.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>D\u00f3: C, Dm, Em, F, G, Am, Bm7(b5) <\/li>\n\n\n\n<li>R\u00e9: D, Em, <strong>F#m<\/strong>, G, A, <strong>Bm<\/strong>, <strong>C#m7(b5)<\/strong><\/li>\n\n\n\n<li>Mi: E, <strong>F#m<\/strong>, <strong>G#m<\/strong>, A, B, Cm, <strong>D#m7(b5)<\/strong><\/li>\n\n\n\n<li>F\u00e1: F, Gm, Am, <strong>Bb<\/strong>, C, Dm, Em7(b5)<\/li>\n\n\n\n<li>Sol: G, Am, Bm, C, D, Em, <strong>F#m7(b5)<\/strong><\/li>\n\n\n\n<li>L\u00e1: A, Bm, <strong>C#m<\/strong>, D, E, <strong>F#m<\/strong>, <strong>G#m7(b5)<\/strong><\/li>\n\n\n\n<li>Si: B, <strong>C#m<\/strong>, <strong>D#m<\/strong>, E, <strong>F#<\/strong>, <strong>G#m<\/strong>, <strong>A#m7(b5)<\/strong><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Campo Harm\u00f4nico de cada acorde<\/h2>\n\n\n\n<p>Para facilitar seu trabalho, abaixo est\u00e1 a sequ\u00eancia de acordes (graus) dos <strong>Campos Harm\u00f4nicos<\/strong>. Mas lembre-se que \u00e9 importante saber contar e identificar o<strong> Campo Harm\u00f4nico<\/strong> sem precisar de cola.<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Campo Harm\u00f4nico <strong>Maior<\/strong><\/li>\n\n\n\n<li>Campo Harm\u00f4nico <strong>Menor<\/strong><\/li>\n\n\n\n<li>Campo Harm\u00f4nico <strong>Maior com S\u00e9tima<\/strong><\/li>\n\n\n\n<li>Campo Harm\u00f4nico <strong>Menor com S\u00e9tima<\/strong><\/li>\n<\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Campo Harm\u00f4nico Maior<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>C<\/strong>: C &#8211; Dm &#8211; Em &#8211; F &#8211; G &#8211; Am &#8211; Bm7(b5) <\/li>\n\n\n\n<li><strong>C#<\/strong>: C# &#8211; D#m &#8211; E#m &#8211; F# &#8211; G# &#8211; A#m &#8211; B#m7(b5)<\/li>\n\n\n\n<li><strong>Db<\/strong>: Db &#8211; Ebm &#8211; Fm &#8211; Gb &#8211; Ab &#8211; Bbm &#8211; Cm7(b5)<\/li>\n\n\n\n<li><strong>D<\/strong>: D &#8211; Em &#8211; F#m &#8211; G &#8211; A &#8211; Bm &#8211; C#m7(b5)<\/li>\n\n\n\n<li><strong>Eb<\/strong>: Eb &#8211; Fm &#8211; Gm &#8211; Ab &#8211; Bb &#8211; Cm &#8211; Dm7(b5)<\/li>\n\n\n\n<li><strong>E<\/strong>: E &#8211; F#m &#8211; G#m &#8211; A &#8211; B &#8211; C#m &#8211; D#m7(b5)<\/li>\n\n\n\n<li><strong>F<\/strong>: F &#8211; Gm &#8211; Am &#8211; Bb &#8211; C &#8211; Dm &#8211; Em7(b5)<\/li>\n\n\n\n<li><strong>F#<\/strong>: F# &#8211; G#m &#8211; A#m &#8211; B &#8211; C# &#8211; D#m &#8211; E#m7(b5)<\/li>\n\n\n\n<li><strong>Gb<\/strong>: Gb &#8211; Abm &#8211; Bbm &#8211; Cb &#8211; Db &#8211; Ebm &#8211; Fm7(b5)<\/li>\n\n\n\n<li><strong>G<\/strong>: G &#8211; Am &#8211; Bm &#8211; C &#8211; D &#8211; Em &#8211; F#m7(b5)<\/li>\n\n\n\n<li><strong>Ab<\/strong>: Ab &#8211; Bbm &#8211; Cm &#8211; Db &#8211; Eb &#8211; Fm &#8211; Gm7(b5)<\/li>\n\n\n\n<li><strong>A<\/strong>: A &#8211; Bm &#8211; C#m &#8211; D &#8211; E &#8211; F#m &#8211; G#m7(b5)<\/li>\n\n\n\n<li><strong>B<\/strong>: B &#8211; C#m &#8211; D#m &#8211; E &#8211; F# &#8211; G#m &#8211; A#m7(b5)<\/li>\n\n\n\n<li><strong>Bb<\/strong>: Bb &#8211; Cm &#8211; Dm &#8211; Eb &#8211; F &#8211; Gm &#8211; Am7(b5)<\/li>\n\n\n\n<li><strong>Cb<\/strong>: Cb &#8211; Dbm &#8211; Ebm &#8211; Fb &#8211; Gb &#8211; Abm &#8211; Bb7(b5)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Campo Harm\u00f4nico <strong>Menor<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Am<\/strong>: Am &#8211; B\u00d8 &#8211; C &#8211; Dm &#8211; Em &#8211; F &#8211; G<\/li>\n\n\n\n<li><strong>A#m<\/strong>: A#m &#8211; B#\u00d8 &#8211; C# &#8211; D#m &#8211; E#m &#8211; F# &#8211; G#<\/li>\n\n\n\n<li><strong>Bbm<\/strong>: Bbm &#8211; C\u00d8 &#8211; Db &#8211; Ebm &#8211; Fm &#8211; Gb &#8211; Ab<\/li>\n\n\n\n<li><strong>Bm<\/strong>: Bm &#8211; C#\u00d8 &#8211; D &#8211; Em &#8211; F#m &#8211; G &#8211; A<\/li>\n\n\n\n<li><strong>Cm<\/strong>: Cm &#8211; D\u00d8 &#8211; Eb &#8211; Fm &#8211; Gm &#8211; Ab &#8211; Bb<\/li>\n\n\n\n<li><strong>C#m<\/strong>: C#m &#8211; D#\u00d8 &#8211; E &#8211; F#m &#8211; G#m &#8211; A &#8211; B<\/li>\n\n\n\n<li><strong>Dm<\/strong>: Dm &#8211; E\u00d8 &#8211; F &#8211; Gm &#8211; Am &#8211; Bb &#8211; C<\/li>\n\n\n\n<li><strong>D#m<\/strong>: D#m &#8211; E#\u00d8 &#8211; F# &#8211; G#m &#8211; A#m &#8211; B &#8211; C#<\/li>\n\n\n\n<li><strong>Ebm<\/strong>: Ebm &#8211; F\u00d8 &#8211; Gb &#8211; Abm &#8211; Bbm &#8211; Cb &#8211; Db<\/li>\n\n\n\n<li><strong>Em<\/strong>: Em &#8211; F#\u00d8 &#8211; G &#8211; Am &#8211; Bm &#8211; C &#8211; D<\/li>\n\n\n\n<li><strong>Fm<\/strong>: Fm &#8211; G\u00d8 &#8211; Ab &#8211; Bbm &#8211; Cm &#8211; Db &#8211; Eb<\/li>\n\n\n\n<li><strong>F#m<\/strong>: F#m &#8211; G#\u00d8 &#8211; A &#8211; Bm &#8211; C#m &#8211; D &#8211; E<\/li>\n\n\n\n<li><strong>Gm<\/strong>: Gm &#8211; A\u00d8 -Bb &#8211; Cm &#8211; Dm &#8211; Eb &#8211; F<\/li>\n\n\n\n<li><strong>G#m<\/strong>: G#m &#8211; A#\u00d8 &#8211; B &#8211; C#m &#8211; D#m &#8211; E &#8211; F#<\/li>\n\n\n\n<li><strong>Abm<\/strong>: Abm &#8211; Bb\u00d8 &#8211; Cb &#8211; Dbm &#8211; Ebm &#8211; Fb &#8211; Gb<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Campo Harm\u00f4nico Maior com S\u00e9tima<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>C7M<\/strong>: C7M &#8211; Dm7 &#8211; Em7 &#8211; F7M &#8211; G7 &#8211; Am7 &#8211; Bm7(b5) <\/li>\n\n\n\n<li><strong>C#7M<\/strong>: C#7M &#8211; D#m7 &#8211; E#m7 &#8211; F#7M &#8211; G# &#8211; A#m7 &#8211; B#m7(b5)<\/li>\n\n\n\n<li><strong>Db7M<\/strong>: Db7M &#8211; Ebm7 &#8211; Fm7 &#8211; Gb7M &#8211; Ab7 &#8211; Bbm7 &#8211; Cm7(b5)<\/li>\n\n\n\n<li><strong>D7M<\/strong>: D7M &#8211; Em7 &#8211; F#m7 &#8211; G7M &#8211; A7 &#8211; Bm7 &#8211; C#m7(b5)<\/li>\n\n\n\n<li><strong>Eb7M<\/strong>: Eb7M &#8211; Fm7 &#8211; Gm7 &#8211; Ab7M &#8211; Bb7 &#8211; Cm7 &#8211; Dm7(b5)<\/li>\n\n\n\n<li><strong>E7M<\/strong>: E7M &#8211; F#m7 &#8211; G#m7 &#8211; A7M &#8211; B7 &#8211; C#m7 &#8211; D#m7(b5)<\/li>\n\n\n\n<li><strong>F7M<\/strong>: F7M &#8211; Gm7 &#8211; Am7 &#8211; Bb7M &#8211; C7 &#8211; Dm7 &#8211; Em7(b5)<\/li>\n\n\n\n<li><strong>F#7M<\/strong>: F#7M &#8211; G#m7 &#8211; A#m7 &#8211; B7M &#8211; C#7 &#8211; D#m7 &#8211; E#m7(b5)<\/li>\n\n\n\n<li><strong>Gb7M<\/strong>: Gb7M &#8211; Abm7 &#8211; Bbm7 &#8211; Cb7M &#8211; Db7 &#8211; Ebm7 &#8211; Fm7(b5)<\/li>\n\n\n\n<li><strong>G7M<\/strong>: G7M &#8211; Am7 &#8211; Bm7 &#8211; C7M &#8211; D7 &#8211; Em7 &#8211; F#m7(b5)<\/li>\n\n\n\n<li><strong>Ab7M<\/strong>: Ab7M &#8211; Bbm7 &#8211; Cm7 &#8211; Db7M &#8211; Eb7 &#8211; Fm7 &#8211; Gm7(b5)<\/li>\n\n\n\n<li><strong>A7M<\/strong>: A7M &#8211; Bm7 &#8211; C#m7 &#8211; D7M &#8211; E7 &#8211; F#m7 &#8211; G#m7(b5)<\/li>\n\n\n\n<li><strong>B7M<\/strong>: B7M &#8211; C#m7 &#8211; D#m7 &#8211; E7M &#8211; F#7 &#8211; G#m7 &#8211; A#m7(b5)<\/li>\n\n\n\n<li><strong>Bb7M<\/strong>: Bb7M &#8211; Cm7 &#8211; Dm7 &#8211; Eb7M &#8211; F7 &#8211; Gm7 &#8211; Am7(b5)<\/li>\n\n\n\n<li><strong>Cb7M<\/strong>: Cb7M &#8211; Dbm7 &#8211; Ebm7 &#8211; Fb7M &#8211; Gb7 &#8211; Abm7 &#8211; Bb7(b5)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Campo Harm\u00f4nico <strong>Menor<\/strong> com S\u00e9tima<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Am7<\/strong>: Am7 &#8211; Bm7(b5) &#8211; C7M &#8211; Dm7 &#8211; Em7 &#8211; F7M &#8211; G7<\/li>\n\n\n\n<li><strong>A#m7<\/strong>: A#m7 &#8211; B#m7(b5) &#8211; C#7M &#8211; D#m7 &#8211; E#m7 &#8211; F#7M &#8211; G#7<\/li>\n\n\n\n<li><strong>Bbm7<\/strong>: Bbm7 &#8211; Cm7(b5) &#8211; Db7M &#8211; Ebm7 &#8211; Fm7 &#8211; Gb7M &#8211; Ab7<\/li>\n\n\n\n<li><strong>Bm7<\/strong>: Bm7 &#8211; C#m7(b5) &#8211; D7M &#8211; Em7 &#8211; F#m7 &#8211; G7M &#8211; A7<\/li>\n\n\n\n<li><strong>Cm7<\/strong>: Cm7 &#8211; Dm7(b5) &#8211; Eb7M &#8211; Fm7 &#8211; Gm7 &#8211; Ab7M &#8211; Bb7<\/li>\n\n\n\n<li><strong>C#m7<\/strong>: C#m7 &#8211; D#m7(b5) &#8211; E7M &#8211; F#m7 &#8211; G#m7 &#8211; A7M &#8211; B7<\/li>\n\n\n\n<li><strong>Dm7<\/strong>: Dm7 &#8211; Em7(b5) &#8211; F7M &#8211; Gm7 &#8211; Am7 &#8211; Bb7M &#8211; C7<\/li>\n\n\n\n<li><strong>D#m7<\/strong>: D#m7 &#8211; E#m7(b5) &#8211; F#7M &#8211; G#m7 &#8211; A#m7 &#8211; B7M &#8211; C#7<\/li>\n\n\n\n<li><strong>Ebm7<\/strong>: Ebm7 &#8211; Fm7(b5) &#8211; Gb7M &#8211; Abm7 &#8211; Bbm7 &#8211; Cb7M &#8211; Db7<\/li>\n\n\n\n<li><strong>Em7<\/strong>: Em7 &#8211; F#m7(b5) &#8211; G7M &#8211; Am7 &#8211; Bm7 &#8211; C7M &#8211; D7<\/li>\n\n\n\n<li><strong>Fm7<\/strong>: Fm7 &#8211; Gm7(b5) &#8211; Ab7M &#8211; Bbm7 &#8211; Cm7 &#8211; Db7M &#8211; Eb7<\/li>\n\n\n\n<li><strong>F#m7<\/strong>: F#m7 &#8211; G#m7(b5) &#8211; A7M &#8211; Bm7 &#8211; C#m7 &#8211; D7M &#8211; E7<\/li>\n\n\n\n<li><strong>Gm7<\/strong>: Gm7 &#8211; Am7(b5) -Bb7M &#8211; Cm7 &#8211; Dm7 &#8211; Eb7M &#8211; F7<\/li>\n\n\n\n<li><strong>G#m7<\/strong>: G#m7 &#8211; A#m7(b5) &#8211; B7M &#8211; C#m7 &#8211; D#m7 &#8211; E7M &#8211; F#7<\/li>\n\n\n\n<li><strong>Abm7<\/strong>: Abm7 &#8211; Bbm7(b5) &#8211; Cb7M &#8211; Dbm7 &#8211; Ebm7 &#8211; Fb7M &#8211; Gb7<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Porque o campo harm\u00f4nico MAIOR come\u00e7a em D\u00d3 e o MENOR come\u00e7a em L\u00c1?<\/h2>\n\n\n\n<p>Os acordes do <strong>campo harm\u00f4nico maior <\/strong>de D\u00f3 s\u00e3o exatamente os mesmo do <strong>campo harm\u00f4nico menor<\/strong> de L\u00c1. Isso \u00e9 o que chamamos de &#8220;<strong>relativa menor&#8221;<\/strong>.<\/p>\n\n\n\n<p>A <strong>escala menor<\/strong> ou <strong>campo harm\u00f4nico menor<\/strong>, nada mais \u00e9, do que a escala maior <strong>come\u00e7ando pelo sexto grau<\/strong>.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>C<\/strong>: C &#8211; Dm &#8211; Em &#8211; F &#8211; G &#8211; <strong>Am<\/strong> &#8211; B\u00d8<br><em>Sexto Grau de D\u00f3 Maior: <strong>Am<\/strong><\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Am<\/strong>: Am &#8211; B\u00d8 &#8211; <strong>C<\/strong> &#8211; Dm &#8211; Em &#8211; F &#8211; G<br><em>Terceiro Grau de L\u00e1 Menor: <strong>C<\/strong><\/em><\/p>\n\n\n\n<p>Essa regra se aplica a qualquer acorde. Mas para facilitar sua contagem, segue abaixo uma lista das relativas menores de todos os acordes:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Relativa menor de todos os acordes:<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>C<\/strong>: Am<\/li>\n\n\n\n<li><strong>C#<\/strong>: A#m<\/li>\n\n\n\n<li><strong>Db<\/strong>: Bbm<\/li>\n\n\n\n<li><strong>D<\/strong>: Bm<\/li>\n\n\n\n<li><strong>Eb<\/strong>: Cm<\/li>\n\n\n\n<li><strong>E<\/strong>: C#m<\/li>\n\n\n\n<li><strong>F<\/strong>: Dm<\/li>\n\n\n\n<li><strong>F#<\/strong>: D#m<\/li>\n\n\n\n<li><strong>Gb<\/strong>: Ebm<\/li>\n\n\n\n<li><strong>G<\/strong>: Em<\/li>\n\n\n\n<li><strong>Ab<\/strong>: Fm<\/li>\n\n\n\n<li><strong>A<\/strong>: F#m<\/li>\n\n\n\n<li><strong>B<\/strong>: G#m<\/li>\n\n\n\n<li><strong>Bb<\/strong>: Gm<\/li>\n\n\n\n<li><strong>Cb<\/strong>: Abm<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p>Se o post foi \u00fatil, n\u00e3o esquece de seguir a <a href=\"https:\/\/www.instagram.com\/faritmica\" target=\"_blank\" rel=\"noreferrer noopener\">@faritmica<\/a> no insta!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Campo Harm\u00f4nico \u00e9 um assunto que nunca tem fim. Quanto mais voc\u00ea sabe, menos voc\u00ea acha que entende. Por isso vamos tentar resumir esse assunto para quem \u00e9 leigo. Antes de entender como funciona o Campo Harm\u00f4nico, \u00e9 extremamente importante entender como funciona a contagem de intervalos na m\u00fasica. Por isso, se voc\u00ea ainda tem&hellip;<\/p>\n","protected":false},"author":2,"featured_media":538,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6,58,20,23],"tags":[59,39,38,17],"class_list":["post-521","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-acordes","category-campo-harmonico","category-modos-gregos","category-regras","tag-campo-harmonico-2","tag-intervalo","tag-piano","tag-teoria"],"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/faritmica.com\/blog\/wp-content\/uploads\/2024\/04\/campo-harmonico.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts\/521","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/comments?post=521"}],"version-history":[{"count":14,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts\/521\/revisions"}],"predecessor-version":[{"id":553,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/posts\/521\/revisions\/553"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/media\/538"}],"wp:attachment":[{"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/media?parent=521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/categories?post=521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faritmica.com\/blog\/wp-json\/wp\/v2\/tags?post=521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}